Articles/Essays From Pagans
September 25th. 2018 ...
Understanding the Unseen
August 25th. 2018 ...
A Little Magickal History
Men and the Goddess
Back to Basics Witchcraft: Magical Creativity for Small Living Spaces
Kitchen Magic and Memories
Why the Faeries?
Magic in Daily Life
An Open Fire: Healing from Within
Cernunnos: The Darkest Wood in the Moon's Light
Gudrun of the Victory Gods
Ares and Athena
La Santa Muerte... The Stigma and the Strength
The Lady on the Stairs
The Wheel of the Year in Our Daily Lives
July 26th. 2018 ...
The Importance of Unification: Bringing Together Community Members to Invoke Cohesivity
May 29th. 2018 ...
Wild Mountain Woman: Landscape Goddess
April 20th. 2018 ...
Nazis Made Us Change Our Name
January 25th. 2018 ...
Finding Balance: Discipline Wedded to Devotion
November 15th. 2017 ...
September 30th. 2017 ...
July 31st. 2017 ...
Sin Eaters and Dream Walkers
July 2nd. 2017 ...
On Cursing: Politics and Ethos
June 1st. 2017 ...
The Sacred Ego in Mediterranean Magical Traditions
April 30th. 2017 ...
Tarot Talk: the Knight of Pentacles
March 30th. 2017 ...
Tarot Talk: the Ace of Swords
January 10th. 2017 ...
The Gray of 'Tween
Becoming a Sacred Dancer
Little Dog, Big Love
December 9th. 2016 ...
A Child's First Yule
November 10th. 2016 ...
What Exactly Is Witchcraft?
A Witch in the Bible Belt: Questions are Opportunities
On Death and Passing: Compassion Burnout in Healers and Shamans
What I Get from Cooking (And How it’s Part of My Path)
September 11th. 2016 ...
The Shadow of Disgust
August 12th. 2016 ...
When Reality Rattles your Idea of the Perfect Witch
Hungarian Belief in Fairies
Designing a Pagan Last Will and Testament
July 13th. 2016 ...
What Every Pagan Should Know About Curses
Magic With A Flick of my Finger
Finding and Caring for Your Frame Drum
An Open Mind and Heart
June 13th. 2016 ...
Living a Magickal Life with Fibromyalgia
My Father, My First God
Life is Awesome... and the Flu
May 15th. 2016 ...
Faery Guided Journey
Working with the Elements
April 2nd. 2016 ...
The Fear of Witchcraft
Magic in Sentences
March 28th. 2016 ...
Revisiting The Spiral
January 22nd. 2016 ...
Coming Out of the Broom Closet
December 20th. 2015 ...
Magia y Wicca
October 24th. 2015 ...
Feeling the Pulse of Autumn
October 16th. 2015 ...
Sacred Lands, Sacred Hearts
September 30th. 2015 ...
September 16th. 2015 ...
Vegan or Vegetarian? The Ethical Debate
August 6th. 2015 ...
Lost - A Pagan Parent's Tale
July 9th. 2015 ...
Love Spells: The Good, The Bad, and the Ugly
The Magic of Weather
June 7th. 2015 ...
A Pagan Altar
A Minority of a Minority of a Minority
May 6th. 2015 ...
13 Keys: The Crown of Kether
March 29th. 2015 ...
A Thread in the Tapestry of Witchcraft
March 28th. 2015 ...
On Wiccan Magick, Theurgy, Thaumaturgy and Setting Expectations
March 1st. 2015 ...
Choosing to Write a Shadow Book
February 1st. 2015 ...
Seeker Advice From a Coven Leader
January 1st. 2015 ...
Manipulation of the Concept of Witchcraft
Broomstick to the Emerald City
October 20th. 2014 ...
Thoughts on Conjuring Spirits
October 5th. 2014 ...
The History of the Sacred Circle
September 28th. 2014 ...
Seeking Pagan Lands for Pagan Burials
Creating a Healing Temple
August 31st. 2014 ...
Coven vs. Solitary
August 24th. 2014 ...
The Pagan Cleric
A Gathering of Sorcerers (A Strange Tale)
August 17th. 2014 ...
To Know, to Will, to Dare...
On Grief: Beacons of Light in the Shadows
August 10th. 2014 ...
As a Pagan, How Do I Represent My Path?
NOTE: For a complete list of articles related to this chapter... Visit the Main Index FOR this section.
Swimming the Sunlight: A Meditation on Hillwalking
Article ID: 11809
Age Group: Adult
Days Up: 4,181
Times Read: 4,885
RSS Views: 39,558
Author: Alison Leigh Lilly
Posted: August 12th. 2007
Times Viewed: 4,885
I feel the wake of your coming. The slight swell riding the wind just beyond you, the current of your approach rippling in thick waves of sunlight and storm. We meet before we meet. We move the day, and the day gives way before us.
I walked a good hour through the woods before coming to my sitting rock. The more familiar paths, closest to the park entrance a few blocks from my apartment, are thick with undergrowth and brush. I know my way through them only after weeks of exploring, recalling this fallen log here or these protruding rocks and that tangle of hanging moss that veils the next turn. Now they feel almost too familiar, the closeness of the brush hiding the cars and houses only a few yards away, but not quite masking the noise of the city, which still rises above the trees.
And so, I moved deeper.
"Hillwalking" is a technique within modern Druidry and other Celtic Pagan traditions, a form of active meditation. To hillwalk is to allow the body to interact intuitively and directly with the surrounding natural world, to follow whims and currents within the landscape.
To move through the external, physical landscape of the woods, fields and hills as an interactive and revelatory form of exploring the internal landscape of the soul. Like the stillness of traditional meditation, the on-going movement of breath and body in hillwalking helps to blur the boundaries between form, spirit and space, transforming the perception of what was once opaque and solid into that which is fluid, interwoven and sacred.
Over the course of my hillwalking practice, I have developed a few techniques and guidelines for myself:
(1) Wear comfortable, practical clothes. This might seem obvious, but for a long time I had the romantic notion of gliding through the woods in flowing skirts, a mysterious and faery-like creature glimpsed by other hikers only out of the corner of the eye.
Delicate ritual wear may be appropriate and stimulating for quiet, personal ceremonies, but such clothes cause more distractions and snags out in the woods. Instead, wear something simple and comfortable, appropriate to the weather and the sun, that will let your skin breathe in the air of the natural world.
(2) Be prepared with simple things. Hillwalking can be strenuous and dangerous, but I have found it most beneficial when it is through an area in which I feel safe and familiar. Walking through the local park, I feel secure enough to bring only a cell phone (in silent mode, so as not to disturb me but there if I need it), a bit of drinking water and sometimes a snack bar or bit of trail mix.
Beyond practical preparation, mental preparation is also important--I may notice rain clouds and decide not to bring an umbrella, prepared to experience and embrace whatever the weather becomes. As usual, it is important to use common sense and avoid situations that can cause injury or illness.
(3) Know your limits. Don't be afraid to push yourself sometimes--take on that steep trail, turn down that intriguing path though you may not know where it leads, or stop for a moment and center yourself into a more intense focus and openness to your surroundings.
I have my own drives when I go hillwalking--I try to work up a bit of a sweat, I try to always find my way back without turning around and using the same trail to get home, and sometimes I use a simple fasting technique, putting off meals until I have returned from hillwalking. These techniques often wear away at and transform my ordinary consciousness, pushing me to delve more deeply into my personal reserves of endurance and ingenuity.
But it's important to know your own limits, and recognize when your body gives your signals of distress. Water, rest and turning back are sometimes necessary.
Deeper into the park, the woods opens up again, the paths are fewer and steeper along the northern side of the ravine, and the sound of the small stream at the bottom of the hillside is the only sound except for the occasional airplane overhead or the gently mercurial jingling of a dog collar, the murmur or call of the owner almost musical in the quiet air.
I walked for a good hour through this part of the woods, imagining how different it is from the urban and suburban landscapes I've grown so used to. In the city, all obstacles are opaque--the stark, bricked walls of tall buildings, the tinted glass windows of cars and restaurant windows, the rusted metal and dulled plastic of trash bins and street signs--but what seems to be a clear path, is. The streets and alleyways might curve sharply or end abruptly, but as long as you can see where you're going, you can usually get there.
The wood is different--its overlapping and intricate weave of branches and shadow, of stray spider webs and the silk or burrs of loose, drifting seeds. I kept to the narrow footpath along one ridge on the south-facing embankment, but my eyes, themselves like seeds released into the warm air, drifted among the trees, far away across the seemingly open spaces that live within the forest, unencumbered by the roots and twigs that would have snagged and snared my body.
So strange, I thought, to be in the kind of place where my eyes might travel where my body cannot follow. And for a moment, I felt a wave of vertigo, as you might feel on a high bridge, or when gazing up into the night sky--when obstacles themselves are those things which are invisible, and the urge to step out into space surges from the soles of your feet up along your spine and pools in that center of gravity just above your wayward eyes.
Here is the rock, jutting out precariously into space as the side of the ravine slopes down into the damp belly of the forest below. Here is the rock of my body, heavy with gravity. The fingers of the wind are on my waist, wrapping me with the sounds of birds and the scents of spring blossoms, playing me like a maypole, swaying me like a sapling.
Here are my palms, fingers gently spread and holding up the sky--the sunlight collects in the recesses of my body, hot dew seeping into my upturned palms with an aching burn, sliding down my temples, beaded like jewels along my collarbone.
Here is the rock of my body, heavy with sunlight. I open my eyes on a world of misted blue; I walk across the open spaces of the afternoon air, where my body cannot follow.
As I walked home, the city blocks felt transformed--the air no longer transparent and taken for granted, the hard obstacles of buildings and moving cars alive and buzzing like fragile hives.
With every movement, my sluggish and sun-soaked body seemed to lag behind, and in that brief moment between, spirit rippled forward to meet Spirit and broke gently, like a lapping wave, on the shore of the World.
Copyright: (c) 2007 Alison Shaffer (from material originally posted to Meadowsweet and Myrrh)
Alison Leigh Lilly
Location: Seattle, Washington
Author's Profile: To learn more about Alison Leigh Lilly - Click HERE
Bio: A young woman exploring the meandering path of Druidry through meditation, prayer, ritual, magic, poetry, philosophy and "wild wisdom."
Other Articles: Alison Leigh Lilly has posted 8 additional articles- View them?
Other Listings: To view ALL of my listings: Click HERE
Email Alison Leigh Lilly... (No, I have NOT opted to receive Pagan Invites! Please do NOT send me anonymous invites to groups, sales and events.)
Web Site Content (including: text - graphics - html - look & feel)
Copyright 1997-2019 The Witches' Voice Inc. All rights reserved
Note: Authors & Artists retain the copyright for their work(s) on this website.
Unauthorized reproduction without prior permission is a violation of copyright laws.
Website structure, evolution and php coding by Fritz Jung on a Macintosh.
Any and all personal political opinions expressed in the public listing sections
(including, but not restricted to, personals, events, groups, shops, Wrenâ€™s Nest, etc.)
are solely those of the author(s) and do not reflect the opinion of The Witchesâ€™ Voice, Inc.
TWV is a nonprofit, nonpartisan educational organization.
The Witches' Voice carries a 501(c)(3) certificate and a Federal Tax ID.
Mail Us: The Witches' Voice Inc., P.O. Box 341018, Tampa, Florida 33694-1018 U.S.A.
of The World
NOTE: The essay on this page contains the writings and opinions of the listed author(s) and is not necessarily shared or endorsed by the Witches' Voice inc.
The Witches' Voice does not verify or attest to the historical accuracy contained in the content of this essay.
All WitchVox essays contain a valid email address, feel free to send your comments, thoughts or concerns directly to the listed author(s).