Articles/Essays From Pagans
February 1st. 2019 ...
Paganism and Witchcraft in the Media
September 25th. 2018 ...
Understanding the Unseen
August 25th. 2018 ...
A Little Magickal History
Men and the Goddess
Back to Basics Witchcraft: Magical Creativity for Small Living Spaces
Kitchen Magic and Memories
Why the Faeries?
Magic in Daily Life
An Open Fire: Healing from Within
Cernunnos: The Darkest Wood in the Moon's Light
Gudrun of the Victory Gods
Ares and Athena
La Santa Muerte... The Stigma and the Strength
The Lady on the Stairs
The Wheel of the Year in Our Daily Lives
July 26th. 2018 ...
The Importance of Unification: Bringing Together Community Members to Invoke Cohesivity
May 29th. 2018 ...
Wild Mountain Woman: Landscape Goddess
April 20th. 2018 ...
Nazis Made Us Change Our Name
January 25th. 2018 ...
Finding Balance: Discipline Wedded to Devotion
November 15th. 2017 ...
September 30th. 2017 ...
July 31st. 2017 ...
Sin Eaters and Dream Walkers
July 2nd. 2017 ...
On Cursing: Politics and Ethos
June 1st. 2017 ...
The Sacred Ego in Mediterranean Magical Traditions
April 30th. 2017 ...
Tarot Talk: the Knight of Pentacles
March 30th. 2017 ...
Tarot Talk: the Ace of Swords
January 10th. 2017 ...
The Gray of 'Tween
Becoming a Sacred Dancer
Little Dog, Big Love
December 9th. 2016 ...
A Child's First Yule
November 10th. 2016 ...
What Exactly Is Witchcraft?
A Witch in the Bible Belt: Questions are Opportunities
On Death and Passing: Compassion Burnout in Healers and Shamans
What I Get from Cooking (And How it’s Part of My Path)
September 11th. 2016 ...
The Shadow of Disgust
August 12th. 2016 ...
When Reality Rattles your Idea of the Perfect Witch
Hungarian Belief in Fairies
Designing a Pagan Last Will and Testament
July 13th. 2016 ...
What Every Pagan Should Know About Curses
Magic With A Flick of my Finger
Finding and Caring for Your Frame Drum
An Open Mind and Heart
June 13th. 2016 ...
Living a Magickal Life with Fibromyalgia
My Father, My First God
Life is Awesome... and the Flu
May 15th. 2016 ...
Faery Guided Journey
Working with the Elements
April 2nd. 2016 ...
The Fear of Witchcraft
Magic in Sentences
March 28th. 2016 ...
Revisiting The Spiral
January 22nd. 2016 ...
Coming Out of the Broom Closet
December 20th. 2015 ...
Magia y Wicca
October 24th. 2015 ...
Feeling the Pulse of Autumn
October 16th. 2015 ...
Sacred Lands, Sacred Hearts
September 30th. 2015 ...
September 16th. 2015 ...
Vegan or Vegetarian? The Ethical Debate
August 6th. 2015 ...
Lost - A Pagan Parent's Tale
July 9th. 2015 ...
Love Spells: The Good, The Bad, and the Ugly
The Magic of Weather
June 7th. 2015 ...
A Pagan Altar
A Minority of a Minority of a Minority
May 6th. 2015 ...
13 Keys: The Crown of Kether
March 29th. 2015 ...
A Thread in the Tapestry of Witchcraft
March 28th. 2015 ...
On Wiccan Magick, Theurgy, Thaumaturgy and Setting Expectations
March 1st. 2015 ...
Choosing to Write a Shadow Book
February 1st. 2015 ...
Seeker Advice From a Coven Leader
January 1st. 2015 ...
Manipulation of the Concept of Witchcraft
Broomstick to the Emerald City
October 20th. 2014 ...
Thoughts on Conjuring Spirits
October 5th. 2014 ...
The History of the Sacred Circle
September 28th. 2014 ...
Seeking Pagan Lands for Pagan Burials
Creating a Healing Temple
August 31st. 2014 ...
Coven vs. Solitary
August 24th. 2014 ...
The Pagan Cleric
A Gathering of Sorcerers (A Strange Tale)
August 17th. 2014 ...
To Know, to Will, to Dare...
On Grief: Beacons of Light in the Shadows
NOTE: For a complete list of articles related to this chapter... Visit the Main Index FOR this section.
Horse and Hattock
Article ID: 11029
Age Group: Adult
Days Up: 4,529
Times Read: 7,979
RSS Views: 58,016
Author: Sarah Anne Lawless
Posted: October 29th. 2006
Times Viewed: 7,979
Horse and hattock! Horse and go!
Horse and Pellatis, Ho Ho!
This may be a familiar chant to many Wiccans and Witches and commonly used in ritual, but many of us are clueless as to the meaning behind this chant and where it comes from. This chant is probably most familiar to Gardnerians and those in BTW traditions and it is included in the questionable online Gardnerian Book of Shadows. Where it comes from is easy to answer; the simpler phrase "Horse and Hattock" originates from Scotland as does the first mention of the chant in its entirety. The meaning however gets more complex. The following is not fact; it is simply what I have come across in study.
First let us take a look at folklore. In Scottish folklore, the fairies say the phrase "Horse and Hattock" when they leave a place to go back to their own realm and also when they prepare to go off for their nightly escapades. It is said people have heard the fairies shouting it out and in turn these people shouted "Horse and Hattock!" and thus they were transported away with the fairies. There is also a story of a child that cried "Horse and Hattock with my top! " and had his toy whisked away on the winds (1).
In another piece of folklore, the Laird of Duffus when walking in his fields was said to hear the cry "Horse and Hattock!" When the Laird repeated the cry, he was whisked away with the fairies to cellar of the King of France. He was found by the butler with a fairy cup in hand. When brought before the king to explain his intrusion, the Laird was pardoned thanks to the tale of his adventures and he returned home with the cup (2).
I also found reference to "Horse and Hattock" in a fiction novel, The Black Dwarf, by 18th century Scottish writer Sir Walter Scott, as well as in a 19th century Camelot ballad, The Doom-Well of St. Madron by Hawker:
"Now horse, and hattock, cried the laird, --- Now horse and hattock speedilie; They that winna ride for Telfer's kye, Let them never look in the face o' me.
'Horse! horse! and spear!' exclaimed Hobbie to his kinsmen. Many a ready foot was in the stirrup; and, while Elliot hastily collected arms and accoutrements (no easy matter in such a confusion), the glen resounded with the approbation of his younger friends." (2)
"'Now horse and hattock, both but and ben, '
Was the cry at Lauds, with Dundagel men;
And forth they pricked upon Routorr side,
As goodly a raid as a king could ride.
Hare, hare, God send thee care.
I am in a hare's likeness now,
But I shall be in a woman's likeness even now. (3)
Thanks to various 18th-20th century novels and writings, my unscholarly conclusion is that "Horse and Hattock" is Scottish patois for mounting a horse. It came to be so because of its use in folklore relating to the fairies. As before said, any time the fairies were to go anywhere, they would shout the phrase “Horse and Hattock”. 'Hattock' is referred to in the Dictionary of the Scots Language as "the elfin signal for mounting and riding off... Horse and hattock, the well-known cry of the fairies at mounting for a moonlight expedition, came to be familiarly adopted on any occasion of mounting." (4)
In my opinion, “Horse and Hattock” became associated with witches via Isobel Gowdie, a Scottish witch who was on trial for witchcraft in 1662. In her detailed confessions, she spoke of how she used the phrases "Horse and Hattock in the Devil's Name" and "Horse and Hattock, Horse and go, Horse and Pellatis, Ho Ho!" in order to fly by mounting a broomstick: "Then they would put a strae between their legs, cry — ‘Horse and hattock in the Devil’s name!’ and flee awa owre the muirs and fells." (4) Gowdie is also commonly associated with the shape shifting song:
"I shall go into a hare,
With sorrow and sych and meickle care;
And I shall go in the Devil's name,
Ay while I come home again."
Gowdie can be compared to the modern hedge riders - sending her spirit forth with the cry of the fairies and the shape shifting can easily be compared to the fetch. She stands out from other witches on trial because while her confessions of her Craft are consistent with folklore as well as reports from other witches of the times, her accounts are much more detailed. She claims to have been a member of a coven, to have been entertained by the Queen of Elfhame (the underworld), and to have had sex with the Devil himself. There is no record of her being executed for witchcraft. (5) (6)
I looked up "Pellatis" as well, but did not find the word as is. What I found was "Pellax" meaning 'seduction' in Latin. Some Latin words commonly end in 'tis'. So perhaps it is a Scottish corruption of Latin. "Pellatis" might also come from the Scottish word "Pelat" taken from the French "paillet" meaning a bundle of straw - perhaps even referring to a broom or besom. This would fit in with "Horse and Hattock" because in Gowdie's chant, you place a broomstick between your legs and then shout the chant in order to fly. However, this is just my conjecture.
Thanks to Isobel Gowdie and Scottish folklore, "Horse and Hattock" will forever be associated with Witchcraft and fairies. Even though to most the chant has no meaning, I hope that I have opened a door to understanding. In my eyes, by using this chant in ritual we are opening a door to the spirit world and leaving the material world behind for the duration of the circle. Used in Gowdie's terms, it would be a cry to shout when preparing to cross over to the spirit world perhaps with the aid of trance, gnosis or entheogens.
Overall, what first seemed senseless goes very deep indeed.
1. Sir George Douglas. Scottish Fairy and Folk Tales, A. L. Burt Company 1901 (p.126)
2. Briggs, Katherine Mary. British Folk Tales and Legends (1898-1980)
3. Sir Walter Scott. The Black Dwarf, 1816 (Chapter 8)
4. Robert Steven Hawker. The Doom-Well of St. Madron.
5. Dictionary of the Scots Language - "Hattock"
6.Margaret Alice Murray. God of the Witches, 1933
7.Isobel Gowdie - Wikipedia
Copyright: This article may not be republished without express permission of the author.
Sarah Anne Lawless
Location: Vancouver, British Columbia
Author's Profile: To learn more about Sarah Anne Lawless - Click HERE
Other Articles: Sarah Anne Lawless has posted 3 additional articles- View them?
Other Listings: To view ALL of my listings: Click HERE
Email Sarah Anne Lawless... (No, I have NOT opted to receive Pagan Invites! Please do NOT send me anonymous invites to groups, sales and events.)
Web Site Content (including: text - graphics - html - look & feel)
Copyright 1997-2019 The Witches' Voice Inc. All rights reserved
Note: Authors & Artists retain the copyright for their work(s) on this website.
Unauthorized reproduction without prior permission is a violation of copyright laws.
Website structure, evolution and php coding by Fritz Jung on a Macintosh.
Any and all personal political opinions expressed in the public listing sections
(including, but not restricted to, personals, events, groups, shops, Wrenâ€™s Nest, etc.)
are solely those of the author(s) and do not reflect the opinion of The Witchesâ€™ Voice, Inc.
TWV is a nonprofit, nonpartisan educational organization.
The Witches' Voice carries a 501(c)(3) certificate and a Federal Tax ID.
Mail Us: The Witches' Voice Inc., P.O. Box 341018, Tampa, Florida 33694-1018 U.S.A.
of The World
NOTE: The essay on this page contains the writings and opinions of the listed author(s) and is not necessarily shared or endorsed by the Witches' Voice inc.
The Witches' Voice does not verify or attest to the historical accuracy contained in the content of this essay.
All WitchVox essays contain a valid email address, feel free to send your comments, thoughts or concerns directly to the listed author(s).