Supportive Practices of the Craft
Article ID: 13746
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Author: Iain Quicksilver [a WitchVox Sponsor]
Posted: March 28th. 2010
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In addition to the practices of witchcraft usually discussed, such as divination and herb lore, there are practices, which support a witch’s overall efforts. The following seven sections describe practices I have found useful for tuning up my Craft practice and keeping it properly focused.
Witches follow cycles in everything they do, out of respect for their overall balance of health. They don't work all year, and then try to relax through a brief vacation; witches take little mini-vacations all the time. They sometimes appear to be laid back and lazy, but they respond well in a crisis, and they somehow get their tasks done.
A witch aims at discovering her own biorhythms, so as to work with, rather than against, her natural energy cycle. But in practice there are usually compromises to be made with work and other factors. Her actual daily schedule may be set somewhat askew to her biorhythms, but a witch will adapt to it and arrange for periods of rest between work to attend to quarters other than South / Will / Fire. There are knowledge and skills to acquire, and emotions and the circle and the practice of inner and/or outer stillness to attend to. And there is a little goofing off, daytime rest, which is essential; just watch the animals.
Starting with the Sun cycle and making allowances for work, etc., a witch reserves the earlier parts of the day for practical affairs. She will not work on taxes, for instance, into the evening hours, but will start earlier in the season and devote some weekend daytime hours to the chore. Evening is for going within, withdrawing to one's own hearth and communing with ancestors and familiar spirits.
It isn't on any list of witch tools, but a compass is important to the modern witch so she can orient her life and work to the four directions. Witchcraft is always done in a physical context. Pagans are highly aware of their immediate environment and traffic with spirits of the field, yard, stream, the most prominent local tree, as well as with household spirits. The key to contacting household spirits lies in feelings.
When you first move into a new house or apartment, it feels cold and uninviting, especially if it hasn't been lived in for a while. Not much later, it fits you comfortably like a suit of old clothes; and if, in addition, it is alive with saged boundaries and household shrines, you feel liked by the house as well as liking it yourself. This is a boundary perception, which we are taught to ignore or treat as a subjective matter, but if instead we address the good feelings and express our appreciation for the atmosphere of our dwelling, we break that boundary and begin to recover ancient pagan perception.
In the same way, outdoor sprites can be contacted through greater sensitivity to one's feelings without discounting them from habit.
Upon awakening in the morning, when a witch is ready to start the day, it is a good practice to take out the compass and address the four quarters. One begins in the North, opening oneself to calming energy. Then to the East, holding in mind briefly what needs to be known or learned today. Then to the South, deciding the first tasks. Then to the West, expanding awareness according to one's ways. Then seal to the North, stilling the mind and body once again. The witch is now ready to face the day.
3: Expanding Awareness
One way of expanding awareness when silently addressing the West is to relax and wait for something in your peripheral awareness to stand out and beckon your attention. It might be the reflection of something in a window, or the shadow of a tree or the spaces in its foliage. Whatever it is, when it gets your attention, continue to view it peripherally. You are in touch with its mana, or magical energy, and can use it throughout the day when you call it to mind. The image in your memory should be peripheral, not central, i.e. the way it looked when it got your attention. This can also be done with things heard peripherally. These are some of my ways.
4: Conserving Magical Energy
There is a kind of energy or power that the modern world has forgotten, though the memory of it is preserved in folk tales and myths. Indigenous peoples are well aware of it and live their lives with reference to it. While the immediate environment abounds in it, and we take it in all the time, we do not notice it because we squander it in habitual ways, habits that have been with us from early childhood. The ancient Latins called it numen, and the Mongolians, hiimori. It is always personal, taking on the features of the person holding it.
It is only by conserving this energy that the witch becomes ready to do magic, both in the circle and life. We don't realize that everything takes energy, even unconscious ignoring of things in our environment, such as shadows, eyeglass frames, or background sounds. When we expand our attention to include such things, we gain the energy that was used in keeping them in the background of our attention, the penumbra or half-shadow. This energy is always exponentially higher than the small amount required to expand the attention.
The energy takes four forms for witches, associated with the four ancient elements. The energy of Air makes us learn and understand new things that hadn't occurred to us before. In everyday life, it also manifests in any new knowledge or understanding.
The energy of Fire boosts the will and lets us accomplish tasks in life that seemed too big to tackle. In order to bring changes into our physical lives, we have to both give up some things, at least temporarily, and adopt other things or actions that further the goal. In the Craft, habits or actions that squander magical energy have to be sacrificed, and then the freed energy finds new outlets on its own.
The energy of Water attracts us to the unknown, and gives us the daring to escape the current limitations of our lives. This is the energy of initiation, which expands and transforms our awareness and can give our lives a whole new basis.
The energy of Earth is cloaked in silence. Witches seek inner and outer stillness, quite as much as Zen monks or Hindu yogis do. This stillness is deep, and the deeper the witch descends into it, the more he or she is transformed and the greater the magical energy that results. It is pursued gradually and at first in little things, like learning to sit still and not scratch, or refraining from certain topics in conversation.
Not that the witch is inactive, quite the contrary; Earth, the North, is also the place of our physicality, and the witch exercises regularly, and takes care of business through Fire and the South. Stillness refers instead to the enormous amount of energy we waste in fidgeting and performing other small, unnecessary actions, both mental and physical: for instance, compulsively repeating past conversations in one's mind or rehearsing conversations to come in some hypothetical future event (for all thoughts of the future are hypothetical) .
The witch sums up a past event and plans for the future, but these are finite acts that come to an end, instead of repeating over and over and wearing on the nerves. The energy to be had by restricting such habits cannot be anticipated in advance. Out of stillness comes new understanding, closing the circle of practice towards Air and the East.
Thus the witch pursues the four powers of the magus: to know, to will, to dare, to keep silence. But there is a fifth power that results from the balanced development of the four: to go. The witch is saving energy for his or her definitive journey, the flight to the True Sabbat, fellowship and celebration with the ancestors, spirits, and deities in the other world. Folklore depicts it as a joyous occasion, and colors it with the pleasures and longings of the time when the tales were spun. Some tried to cut corners and get there more quickly through the use of the witch's flying ointment. The actual flight may or may not follow traditional lines.
One may not literally fly up the chimney and then meet the Wild Hunt in the sky and fly to a rath or burg and descend therein through a tunnel into the Otherworld. The journey may parallel many of these features, nonetheless; and there are preliminary journeys to be made that go partway there.
The flight to the True Sabbat is a milestone on the way to the witch's ultimate journey to the Sun, when he or she acquires a body of light that can materialize at will, so that further incarnations here in middle Earth are no longer needed. This transformation seals the work of the Craft and completes the vows made at initiation; thenceforth one does other work, perhaps as a guardian elemental, paying back for the help received along the way on this side by paying forward.
5: The Familiar
Witches traditionally kept a cat, sometimes a horse, as a familiar. The witch's astral journeys were made in company with the spirit of the familiar.
The best information I have found on this practice is in Timothy Knab's A War of Witches, a factual account of an anthropologist's investigation, some twenty plus years later, of a battle with brujos and brujas in the highlands of central Mexico. In the course of his investigation, he is inducted into Toltec brujeria by one of the survivors and makes a journey to Tlalocan, the Toltec Underworld.
Tlaloc, the Lord of the Underworld, keeps animal spirits called naguals in his corrals. He gives a nagual to each human at birth. The nagual could perhaps be thought of as the link, within each of us, to other animals, inherited though latent from the prehistoric past. But it is a real spirit and to be a brujo one must find one's nagual. Afterwards, an experienced brujo, through many journeys to Tlalocan, may have acquired a number of naguals, keeping them in fetish objects like puma's claws, or in a special gourd.
The human soul is called the tonal. It has two halves. One faces towards the Sun and stands guard over the body when the dark lower half, the shadow, goes on journeys down the world pillar to the underworlds. The shadow is so called, both because it lies below our daily awareness and faces towards the nether regions, and because it follows its nagual into the depths as the latter's shadow.
If the nagual is a cat spirit, the shadow takes on the semblance of a cat spirit. This is done for protection from hungry denizens of the deep, who prize the heart blood of a tonal but will let a nagual go by.
The discipline Knab goes through in becoming a brujo is well worth the reading. But to return to our own practice, preparation for a liaison with a cat familiar's spirit, besides the obvious step of getting a cat, would seem to involve re-molding one's own psyche closer to that of a feline. We do this unconsciously when we sit in company with a cat and enjoy its utter relaxation. Cats are content to go from moment to moment doing whatever they are doing, even if it is only resting.
We, however, often have a habit of doubting whether we are making best use of our time, or regretting we are not elsewhere doing other things. Cats, apparently, have no such qualms. The daily practice of witchcraft in fact promotes a calm mind fully given to the moment. Apparently cultivation of inner stillness connects us with the animal, pre-rational mind, so that we can enjoy shuttling between two minds, as the occasion permits.
This is only an example of how the witch models him or herself on a cat familiar. Whether or not one goes on journeys with the cat, cultivating a close relationship with one will draw the witch closer to his or her own inner, pre-rational mind, through which he or she can call up power from the Deep in circle.
6: The Patron Deity
It isn't incumbent upon pagans to have a special relationship with a single deity, but it can be a rewarding experience. The pagan will continue to honor the other deities and spirits, of course, and may enter into a similar relationship with another later on. Suppililiumas, the king of the Hittites, was singularly devoted to his goddess, and as we know, his subject Abraham devoted his wandering life to his family god, the later Yahweh.
All gods stand ready to teach by sharing their consciousness, and by helping the devotee to practice the disciplines that lead to that awareness. Pagans will generally choose a patron deity (male or female) on the basis of temperamental preferences, though they may be influenced by a dream or vision. The relationship can be devotional or more like a friendship. In the latter case the deity is like an older mentor or senior partner. In late heathen times, Thor was popular with people seeking this latter relation.
In the Craft, the Lord and the Lady serve as patrons. The Lord is the year-god, who has waxing and waning aspects, and these replace each other at the solstices. Because the outgoing aspect dies and is reborn six months later, the Lord (sometimes called the Lad) is more of a demigod, and is not quite up to the Lady's level. Witches and warlocks alike tend to relate to the Lord as a tutor or preceptor, and to the Lady devotionally.
The continental Celtic god Cernunnos is associated by modern witches with the year-god. He is known only from artifacts and only by the description given him by Greek traders in antiquity on the Ister or Danube river – the horned or antlered one (we do not know his Celtic name) . Cernunnos teaches witches the way to deal skillfully with both the outer and inner life.
The Oak King or waxing year aspect teaches, by example, how to deal with the outer world joyfully and fruitfully. The Holly King or waning aspect is the psycho pomp or soul-guide in Craft initiation, and also provides fellowship with ancestors at Samhain, October 31st.
On the Gundestrup cauldron, found in a peat bog in Denmark, Cernunnos is the central carved figure. He has two antlers, wears a torque or neck-ring signifying wealth, and holds another in his right hand, as bestower of wealth. His left hand grasps a ram-headed snake by the neck, an Underworld animal linked with healing and sacrifice.
It often happens that a pagan already pursues some discipline designed to conserve magical energy, and chooses an appropriate god or goddess, asking him or her to be the patron of that practice. If the god is willing, he or she will help, first of all, by reminding the devotee to practice whatever part of the askesis is appropriate for the present situation.
The devotee thanks his or her patron for these reminders, knowing from experience that practice would be slacker without them. As the partnership goes on, the world will start to take on the colors peculiar to that deity's consciousness and personality, and will cause subtle changes in the personality of the devotee as well.
The patron deity also teaches in dreams and guides the devotee in waking life by means of signs and omens, often peculiar coincidences that seem mysteriously significant.
The Lady nurtures and feeds witches as well as all her children on the earth, and also teaches those who prefer to relate to a female divinity. The discipline taught by the Lady involves cleansing the emotions of their verbal accretions. The devotee learns to feel without thinking or analyzing or labeling the feeling. In this way, the witch or warlock draws closer to the animals, who have naked feelings unclothed in thoughts. The askesis of the Lady is especially suitable for couples.
Supportive practices of witchcraft aim at optimizing the free flow of energy through the life of a witch.
A cluttered life is full of energy knots that trap old, stale energy called `miasma' by the ancients. The first phase of a spell, purification, is designed to unravel one or more of these knots, so that an increase in the flow of magical energy renders the flow palpable. The energy must be felt to be directed, and as some of it is flowing all the time (however feebly) , the rate of flow must be increased for it to be felt. It can then be directed to a chosen purpose in the consecration phase, and, in the final phase, charged with all the force the witch can command through expanded awareness.
But if the witch's life is full of energy knots, untying one or two of them by purification may not result in a very strong flow of energy. For a stronger flow, the witch must gradually remove clutter from his/her life so that energy knots are few and easily unraveled.
Clutter comes in many forms. There is mental and emotional clutter; the clutter of always being too busy because of over-commitment; the memory-clutter of too many unfinished projects; and the material clutter found in the home: over-stuffed closets, garages, basements, storage sheds, etc. This section is about material clutter.
By learning and applying the principles of feng shui, we can facilitate a free flow of the energy the Chinese call ch'i throughout the home; but before putting feng shui into practice, we must face and do something about the mountains of clutter tucked away in corners, closets, cupboards and other hiding places. We may think that if our accumulations are out of sight they will be out of mind as well, but the deeper, pre-rational mind we share with the animals keeps tabs on every least thimble.
When the writer Aldous Huxley's house in California burned down, he remarked on how clean it felt to be free of so many possessions. This was a drastic example of what we can achieve in a smaller degree through the practice of inventory.
The deep mind keeps a file on every item we own, and these files must be closed and cleared away if the witch is to use the filing function for fulfilling oaths and following threads of self-discipline. Accordingly, at regular intervals a witch will go through some of his or her clutter, putting things together that belong together, and getting rid of items no longer needed. A good rule of thumb to follow is to keep what one can use (sentiment counts as a use) and put the rest where it is likely to do the most good. In this we see an illustration of the balance of the Craft, which aims at getting maximum enjoyment and effectiveness from possessions without getting bogged down in being possessed by them.
Putting things you don't need where they will do the most good may mean giving things away; but be careful doing this, as you may lose friends if they feel you are dumping stuff on them. And above all, never tell anyone you are following the rule of inventory, as gifts should at least appear to be made from a feeling of friendship.
Closing accounts with past unfinished business, either by abandoning old projects or by completing them, leads to a greater integration with one's past selves, and can clear a channel through memory, and far memory, for the witch to travel in the inner journey down to the Summerland.
1. For numen see Rose, H.J. in the bibliography.
2. For hiimori see Sangerel, both references, in the bibliography.
3. For the folklore of the Sabbat, see Jackson in the bibliography.
4. On the journey to the Sun, see Grimassi, p. 219, in the bibliography, also Nikhilananda, vol. II, p. 158.
5. See Knab in the bibliography.
6. See Gurney in the bibliography. More recently, a royal charter of King Suppliliumas has been found, authorizing a mercantile expedition to Byblos on the ancient Lebanese coast. Abraham may have been in it.
7. See Davidson (I) in the bibliography.
8. For the significance of Cernunnos in modern witchcraft, see Farrar in the bibliography.
9. See Davidson (II) in the bibliography.
Davidson, H.R. (I) , Gods and Myths of Northern Europe, London, Penguin Books, 1990.
__________ (II) , Myths and Symbols in Pagan Europe, Syracuse, NY, Syracuse
University Press, 1988.
Farrar, Janet and Stewart, Eight Sabbats for Witches, Custer, WA, Phoenix Publishing, 1988.
Grimassi, Raven, Ways of the Strega, St. Paul, MN, Llwellyn Publications, 1995.
Gurney, O.R., The Hittites, London, Penguin Books, 1952.
Jackson, Nigel, Call of the Horned Piper,
Knab, Timothy J., A War of Witches, Boulder, CO, Westview Press, 1995.
Nikhilananda, Swami, translator, The Upanishads, in 4 vols. New York, Ramakrishna-
Vivekananda Center, 1975. Prasna Upanishad is in Vol. 2.
Rose, H.J., Religion in Greece and Rome, New York, Harper Torchbooks, 1959.
Sarangerel (I) , Chosen by the Spirits, Rochester, VT, Destiny Books, 2001.
_______ (II) , Riding Windhorses, Rochester, VT, Destiny Books, 2000.
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