Articles/Essays From Pagans
April 3rd. 2016 ...
An Alternative Conception of Divine Reciprocity
Becoming Wiccan: What I Never Expected
Rebirth By Fire: A Love Letter to Mama Maui and Lady Pele
The Fear of Witchcraft
Blowing Bubbles with the Goddess
The Evolution of Thought Forms
Magic in Sentences
February 28th. 2016 ...
Revisiting The Spiral
Lateral Transcendence: Toward Greater Compassion
February 22nd. 2016 ...
Spring Has Sprung!
January 22nd. 2016 ...
Coming Out of the Broom Closet
Energy and Karma
Community and Perception
December 20th. 2015 ...
Introduction to Tarot For the Novice
Magia y Wicca
October 24th. 2015 ...
Facing Your Demons: The Shadow Self
Native American Spirituality Myopia
The Dream Eater--A Practical Use of Summoning Talismans
A Dream Message
Feeling the Pulse of Autumn
October 16th. 2015 ...
Sacred Lands, Sacred Hearts
September 30th. 2015 ...
September 16th. 2015 ...
Nature Worship: or Seeing the Trees for the Ents
Vegan or Vegetarian? The Ethical Debate
August 6th. 2015 ...
Lost - A Pagan Parent's Tale
July 9th. 2015 ...
Love Spells: The Good, The Bad, and the Ugly
The Magic of Weather
June 7th. 2015 ...
A Pagan Altar
A Minority of a Minority of a Minority
The Consort: Silent Partner or Hidden in Plain Sight?
Why I Bother With Ritual: Poetry and Eikonic Atheism
May 6th. 2015 ...
Sex, Lies, and Witches: Love in a Time of Wiccans and Atheists
Gods, Myth, and Ritual in Naturalistic Paganism
I Claim Cronehood
13 Keys: The Crown of Kether
March 29th. 2015 ...
A Thread in the Tapestry of Witchcraft
March 28th. 2015 ...
On Wiccan Magick, Theurgy, Thaumaturgy and Setting Expectations
March 1st. 2015 ...
Choosing to Write a Shadow Book
Historiolae: The Spell Within the Story
My Concept Of Grey
February 1st. 2015 ...
Seeker Advice From a Coven Leader
The Three Centers of Paganism
Magick is No Illusion
The Ancient Use of God/Goddess Surnames
The Gods of My Heart
January 1st. 2015 ...
The Six Most Valuable Lessons I've Learned on My Path as a Witch
Manipulation of the Concept of Witchcraft
Publicly Other: Witchcraft in the Suburbs
Pagans All Around Us
Broomstick to the Emerald City
October 20th. 2014 ...
Thoughts on Conjuring Spirits
A Microcosmic View of Ma'at
October 5th. 2014 ...
The History of the Sacred Circle
Abandoning Expectations and Remembering Your Roots
September 28th. 2014 ...
Seeking Pagan Lands for Pagan Burials
Creating a Healing Temple
September 20th. 2014 ...
GOD AND ME (A Pagan's Personal Reply to the New Atheists)
September 7th. 2014 ...
Deer Man- A Confounding Mystery
August 31st. 2014 ...
Coven vs. Solitary
A Strange Waking Dream
August 24th. 2014 ...
Thoughts on Cultural and Spiritual Appropriation
The Pagan Cleric
A Gathering of Sorcerers (A Strange Tale)
August 17th. 2014 ...
To Know, to Will, to Dare...
On Grief: Beacons of Light in the Shadows
August 10th. 2014 ...
As a Pagan, How Do I Represent My Path?
The Power of the Gorgon
August 3rd. 2014 ...
Are You a Natural Witch?
You Have to Believe We Are Magic...
July 27th. 2014 ...
Did I Just Draw Down the Moon?
Astrological Ages and the Great Astrological End-Time Cycle
The New Jersey Finishing School for Would-Be Glamour Girls and Boys
July 20th. 2014 ...
Being an Underage Wiccan
Malleus Maleficarum - The Hammer of the Witches
July 13th. 2014 ...
A World Of Witchcraft: Belief Is Only The Beginning...
From Christian to Pagan (Part III)
NOTE: For a complete list of articles related to this chapter... Visit the Main Index FOR this section.
Witches Do It In A Magical Circle
Article ID: 15139
Age Group: Adult
Days Up: 1,365
Times Read: 2,902
RSS Views: 13,641
Author: Rhys Chisnall
Posted: August 5th. 2012
Times Viewed: 2,902
Sacred space is a space that is ‘experienced or seen as’ sacred but remember, this need not mean it has any extra unseen property. In many religions, it is a permanent structure such as a church, a mosque, a druid’s grove or a temple. The place is seen as sacred, as numinous and special suitable and worthy of where the Divine can be experienced. These places are often made sacred through certain rites and ritual… a form of magic, which to my mind is the manipulation of meaning to transform phenomenal reality. The rites are the manipulation of meaning which leads to ‘experiencing as’ the church as sacred (even to those who never partook in the original rituals) and if that is not the transformation of phenomenal reality I don’t know what is.
Witchcraft differs from other religious and spiritual traditions in that it does not have any permanent sacred spaces. There are no permanent temples in the initiatory Craft perhaps because it is a spiritual tradition where the focus of the experience of the Divine is through life and death, where there is no dualism between the sacred and the profane, therefore there is no need for a permanent temple. In the Craft the sacred space is declared at every meeting, wherever and whenever the coven meets.
This sacred space is declared when the circle is cast by the High Priestess with her athame and is both psychological and mythological in character. It is psychological, firstly, as it is visualised by and ‘felt by’ the participants as the sphere is formed about them. It is ‘experienced as’ by the mind through an act of imagination. Secondly, the setting up of the sacred space in the Craft prepares the Witches for the rite in which they are to participate. For example a church is laid out to either assault the senses such as in the stain glass, incense, bells, candles, crucifixes and robes of the priest in Catholicism, or the in the stark whitewash and lack of symbolism of the Methodists. The symbolism, the bells and smells of the Catholic or the austerity stemming from the suspicion of idolatry of the Protestant both work to put the worshipper into a worshipful and receptive state of mind.
Likewise the words, gestures, incense, candle light and nudity involved in the casting of the circle puts the Witches into the state of mind where magic (the manipulation of meaning to transform phenomenal reality) can occur. If the same method of casting is used each time (as in Initiatory Craft) , then expectation and classical conditioning (like Pavlov’s dogs) combine to create the appropriate state of mind with little effort on the part of the Witch. Vivianne Crowley (1989) tells us of one priestess who says something like, “I only need to hear the swish of a broom and I am in an altered state of consciousness”. I can confirm from experience that that this is certainly the case. During the set up of our rituals and the casting of the circle, after twelve years of being with the same coven, I automatically slip into ritual consciousness.
The circle is also mythological and is full of symbolism. The circle can relate to four of the classical elements, air, fire, water and earth. It can relate, like the phases of the moon and the wheel of the year to the stages of life such as youth, maturity, old age and death. To my mind this means it can relate to stages in the hero’s journey, the mono-myth described by Professor Joseph Campbell in his book, The Hero with a Thousand faces. This is the journey of the mystic, who goes out into the metaphorical wilderness, fairy land, the world of adventure. It is here that the mystic has their adventure/experience, attaining gnosis (spiritual knowledge) , before returning to everyday life where they have to integrate what they have learnt. The failed hero or mystic is not able to do this and is stuck in the adventure world and so perishes. The circle can also be symbolic of the changing seasons of the year, spring, summer, autumn, and winter, which of course, underpin the myths of the Craft.
The circle, mythologically speaking, is out of time. It is also all time, all the seasons, all the stages of life, all parts of the hero’s quest and so paradoxically, which can happen in myth, is all time and at the same time it is out of time. The circle is experienced as the mythological every-when, fairy land and eternity where the tick, tick, tick of time does not pass; there is no past, present or future. Mythologically speaking, this is the mystical state. It is in this space were we experience mythologically, rather than logically. We participate in mythology, finding meaning that allows us to engage with the mysteries.
It acts as a mythological circle that psychologically contains the emotion and meaning. It represents the keeping away of thoughts and feeling not required for the ritual. These are the daily round of duties and thoughts, which might be stresses about work, money, or whether we have left the cooker on. They are outside the psychological circle and we within the ritual are on the inside. It is a psychological and mythological barrier between the emotions, thoughts and meaning necessary for the job at hand, and those that would distract us from our purpose. So the circle acts as a boundary and protection of meaning containing the emotional power we raise.
To conclude it is both a mythological space where we engage with and act mythologically and a psychological boundary. However, while this requires imagination, visualisation and concentration; it is not the same thing as play-acting. Rather it is ‘seeing as’, making and experiencing as profound meaning rather than simply make believe. This meaning can be allegorical but it is also archetypal in that it related to our deep feelings that are invoked by what is fundamentally important in life.
Campbell, J, (1993) , The Hero with a Thousand Faces, Fortana Press
Crowley, V., (1989) , Wicca: The Old Religion in the New Age, Aquarian Press
Location: Stowmarket, England
Author's Profile: To learn more about Rhys Chisnall - Click HERE
Bio: Rhys is a member of a long established rural coven with a Gardnerian heritage in the north of Suffolk. He and his wife Martika run a training group for those who are interested in Initiatory Witchcraft.
Other Articles: Rhys Chisnall has posted 17 additional articles- View them?
Other Listings: To view ALL of my listings: Click HERE
Email Rhys Chisnall... (No, I have NOT opted to receive Pagan Invites! Please do NOT send me anonymous invites to groups, sales and events.)
Web Site Content (including: text - graphics - html - look & feel)
Copyright 1997-2016 The Witches' Voice Inc. All rights reserved
Note: Authors & Artists retain the copyright for their work(s) on this website.
Unauthorized reproduction without prior permission is a violation of copyright laws.
Website structure, evolution and php coding by Fritz Jung on a Macintosh G5.
Any and all personal political opinions expressed in the public listing sections (including, but not restricted to, personals, events, groups, shops, Wrenâ€™s Nest, etc.) are solely those of the author(s) and do not reflect the opinion of The Witchesâ€™ Voice, Inc. TWV is a nonprofit, nonpartisan educational organization.
Sponsorship: Visit the Witches' Voice Sponsor Page for info on how you
can help support this Community Resource. Donations ARE Tax Deductible.
The Witches' Voice carries a 501(c)(3) certificate and a Federal Tax ID.
Mail Us: The Witches' Voice Inc., P.O. Box 341018, Tampa, Florida 33694-1018 U.S.A.
of The World
NOTE: The essay on this page contains the writings and opinions of the listed author(s) and is not necessarily shared or endorsed by the Witches' Voice inc.
The Witches' Voice does not verify or attest to the historical accuracy contained in the content of this essay.
All WitchVox essays contain a valid email address, feel free to send your comments, thoughts or concerns directly to the listed author(s).