Popular Pagan Holidays
Autumn: The Croning Time
Daily Goddess Awareness
Well, You Don’t Celebrate Christmas...
It's Beginning to Look a Lot Like Chri... Yuletide!
Samhain: A Time for Introspection---and Activism
The Dark Half of the Year
Anti-Witch Bigotry: Still As Popular and Deadly As Ever
The Halloween Witch: Sense of Humor or Sense of Ire
Ah...To Be A Witch...
Winter Solstice By Any Other Name
Spiritual Aspects of Yule
Autumn Equinox: A Point of Balance on the Wheel of the Year
The Beltaine Storm
Winter Holiday Intentions and Food Magik
The Tale of the Holly King and the Oak King
Imbolc: Traditional Celebrations for a Modern Time
A Meditation on Samhain: How Lucky You Are.
Alicia Meets Grandmother Autumn: A Children’s Story
Traditional Yule: Make your Own Homebrewed Mead
The Solstice Flame: A Yule Story
A Celtic View of Samhain
Ostara: Enter the Light!
Supermoms’ and Superdads’ Defense Against “Holiday Kryptonite”
A Summer Solstice Primer
A Story For Autumn
Witches Lost in Halloween
The Best Thing About Death
Winter: A Joyous Holiday Season
Lughnasa: Festival of the Harvest (A Druid's Perspective)
The Babylonian Ghost Festival
The Celtic Origins of Samhain
The Ostara Transformation
Thanksgiving Memories of a Native American Witch
Dealing with the Darkness, Post-Samhain
The Samhain Experience
The Theme of Mabon
First Thanksgiving... in China
Solstice of the Soul
A White Christmas in Fuyang
Love Lives On: A Samhain Reflection on Death, Rebirth, and the Afterlife
Yule and the New Year
A Samhain Dance
Imbolg - A Lesson of Positive Change
The Story of Ostara
A Yule Story for Children ~ The Tiniest Fairy ~
The First Yule
Unity During Samhain
Bealtine: Blessing the Summer In
Yuletide Thoughts, Life and Death
Ghosts, Omens, and Fact-Finding: Wandering In Today's Eco-Interface
The Blood is in the Land
The Summer Solstice: A Time for Awakening
Brighid's Healing Sword: Imbolc
Sandy Was The Name Of the Dark Goddess This Samhain
When The Crone Pays A Visit, You'd Better Pay Attention
The Promise of the Harvest
Samhain is Ablaze with Reflections of My Father
At Samhain, Meet Bilé, God of the Dead of Ireland and the Danu, the All -Mother
Mabon - The Flash of the Setting Sun
"The Horn of Plenty": A Pathworking for Lammas
Parting the Veils and Opening to Ancestral Wisdom
The Call of the Crone
Lammas: The Sacrificial Harvest
Opening to the Anima Mundi – The Gift of the Equinox
The Light Within the Shadow of the Winter Solstice
Lascivious Lupercalia: Why Valentine's is a Vital Pagan Holy Day for the Modern World
Symbology of Altar Decorations
The Serpent's Kiss: Beltane's Fire
A Heathen's Approach to the Holidays
Anthesteria, the Hellenic "Samhain"
Ode to Ostara
From Samhain to Yule: Light in the Darkness
Sonoran Desert Wheel of the Year (Square Peg, Round Hole)
Samhain: the Sunbeam in the Twilight
Gaia's Mantle:The Greening of the Earth
The Lover's Flame-Beltane
Beltane and Samhain: Reflections of Life and Death
NOTE: For a complete list of articles related to this chapter... Visit the Main Index FOR this section.
The Celtic Origins of Samhain
Article ID: 13576
Age Group: Adult
Days Up: 1,873
Times Read: 5,376
RSS Views: 22,326
Posted: October 11th. 2009
Times Viewed: 5,376
As Samhain approaches, my mind turns to childhood memories of costumes, candy and trick-or-treating. Even in our modern world, the rules are set aside on Halloween day. We ask for candy from strangers. We disguise ourselves and walk around both familiar and strange neighborhoods.
From where did this bizarre holiday come? What are the origins of the themes of death, the macabre and merry-making?
Modern Pagans celebrate Samhain as the third of three harvest festivals. Considered the Pagan New Year’s Day, Neo-Pagans also use this day to honor the ancestors. We often set food on our altars for loved ones who recently passed away. In the Wiccan year-long dance of the Goddess and God, Samhain celebrates the time when the God is in the underworld before His rebirth at Yule.
This festival originated as one of the four Celtic fire festivals; the other three being Imbolc, Beltane and Lughnasadh – the four days we currently call Cross-Quarter days, Greater Sabbats or Greater High Days. In ancient Celtic times many local tribes gathered together in centralized locations, ritual centers (Jones and Pennick 90) or regional capitals for celebration, games, feasting (Rees 8) , markets, fairs and horse races.
In Ireland, the people assembled at the 5 main provinces (Green 55) , and it was a day of peace and amity, where disagreements were set aside, fighting put on hold, and even debts temporarily forgiven (Koch 147) .
Despite the fun and festivities, there was a dark side. As death features so highly in modern Halloween, Dia De Los Muertos, and even our modern Neo-Pagan Samhain, it featured just as much back them. Samhain was a harvest festival, yet it was not crops that were harvested, but animals. Samhain marked the end of the grazing season and a time when the herds were brought in from the fields. To feed all of the animals through winter used up precious food that the people needed, therefore the breeding stock was set aside, and all other animals were slaughtered (Jones and Pennick 90) .
I doubt that the ancients were any less callous about this massive slaughter of animals than we would be. Death on that scale would have affected them, and we see this effect in the other aspects of this holy day.
Custom has it that on Samhain Eve, the souls of the dead returned to visit those they knew in life. Food for the spirits of the dead was left outside or at an empty place setting at the dinner table. Doors were left open and the hearth was prepared to welcome them (Rees 90) . Even modern jack-o-lanterns started out as hollowed out turnips and gourds filled with a candle or coals – not to scare away ghost or goblins, but to welcome departed loved ones and show them the way back home.
Another way that Samhain celebrated death was that it was also a ritual mourning for the death of summer (Green 55) . The Celts thought of the year as being divided into two seasons: Winter and Summer. To the Celts, time occurred in pairs, such as Winter and Summer, night and day, and the dark half of the month and the light half of the month. Dark comes first, just as the darkness of gestation precedes birth. Thus sunset was the start of the new day, and Samhain the start of the new year (a tradition us modern Witches still hold) .
The Celts viewed these pairs of time as microcosms of the universe and time itself (Rees 88-90) . Within these pairs, the laws of time, space and the universe were held. On cusp moments (sunset and sunrise, the nights of the waning and waxing quarter moons, Samhain and Beltane) , the time when one time period has not quite ended and another has not quite begun, the normal laws of time, space and the universe were suspended.
One effect of this suspension was that the barriers between the worlds were broken. The expression one often hears is that the veils between the worlds become thin, due to it being a “boundary time.” This suspension of the “Laws of the Universe” is why the spirits of the dead can visit us (Green 55) and the living can visit the lands of the dead.
These transition periods or moments had the propensity for good or evil. It was neither lucky nor unlucky, but both. Certain acts were forbidden or thought to be unlucky if performed at sunset or sunrise, such as marriages. Yet the morning dew was thought to be restorative and cures were thought to be more potent at sunset.
This contradiction may have stemmed from the thought that these transition times held the potential for renewal and rebirth. This effect is also seen in the twice yearly extinguishing of house or hearth fires, which are then relit on Beltaine and Samhain as a symbolic cleansing.
Predictions and fortune telling were also possible on Samhain because the suspension of the laws of time allowed the boundaries between the present and the future to disappear. Again, we come back to the idea that the laws of the universe are suspended during the cusp time. Although, most predictions were concerned with figuring out whom you would marry and who would die in the coming year.
The realms of the living and dead and the past, present and future were not the only realms to mingle during boundary times. Samhain, as well as Beltane and Midsummer, saw a mingling of the worlds of fairies and humans. On Samhain night, Síd (pronounced shee) mounds were open and lost their glamour (Rees 88-90) , that protection that prevents us from seeing into them.
We can see these phenomena in the story of Finn mac Cumaill and the fairy maiden. In Síd Breg Ele, a beautiful fairy maiden lived. Only on Samhain night could she be wooed, because only then did the Síd mound open and the glamour fall away. Each time a suitor came to woo her, one person of the suitor’s party would be killed, yet no one knew how he was killed.
Finn mac Cumaill was determined to solve this mystery. He sought advice and was told to sit between that fairy mound and the neighboring one on Samhain eve. As he sat there, he saw the two hills open, saw great bonfires in each one and heard the residents in each discussing an exchange of gifts. As one man came out of the hill of the fairy maiden, Finn threw a spear into him. The faerie Finn killed was the one who was killing the suitors’ men (Rees 251) .
The interaction between men and the Síd was not limited to their mounds. In the Fionn Cycle, we hear about Tara, one of the regional capitols, which were often plagued by Síd and Fomoire attacks. During Samhain, warriors from the tribes would gather to offer protection during a time when Tara was more vulnerable. A particular goblin, Aillen mac Midhna, tried every Samhain to set fire to Tara, until Finn magicked him away (Green 20) (Rees 156) .
When placed in the context of Celtic beliefs, much of our Samhain (and Halloween) rituals make perfect sense. Death came from the slaughter of herd animals, whose spilt blood reminded us of mortality. The cusp moment when Summer has ended, but Winter has not yet begun, allowed the veils between the realms of Fairies, Man and the Dead to lift. The transition period also allowed time to stand still and the past, present and future to overlap. Added up we get costume disguises to hide from Fairies, Jack-o-lanterns to guide our dearly departed back to our door, dumb suppers and fortune telling.
But I don’t understand where the candy came from.
Green, Miranda J. Celtic Myths. Austin: University of Texas P, 1993.
Jones, Prudence and Nigel Pennick. A History of Pagan Europe. London: Routledge, 1995.
Koch, John. The Celtic Heroic Age. Andover: Celtic Studies, 2000.
Rees, Alwyn and Brinley Rees. Celtic Heritage. London: Thames and Hudson, 1961.
Location: Baton Rouge, Louisiana
Author's Profile: To learn more about Josie - Click HERE
Other Articles: Josie has posted 4 additional articles- View them?
Other Listings: To view ALL of my listings: Click HERE
Email Josie... (No, I have NOT opted to receive Pagan Invites! Please do NOT send me anonymous invites to groups, sales and events.)
Web Site Content (including: text - graphics - html - look & feel)
Copyright 1997-2014 The Witches' Voice Inc. All rights reserved
Note: Authors & Artists retain the copyright for their work(s) on this website.
Unauthorized reproduction without prior permission is a violation of copyright laws.
Website structure, evolution and php coding by Fritz Jung on a Macintosh G5.
Any and all personal political opinions expressed in the public listing sections (including, but not restricted to, personals, events, groups, shops, Wrenâ€™s Nest, etc.) are solely those of the author(s) and do not reflect the opinion of The Witchesâ€™ Voice, Inc. TWV is a nonprofit, nonpartisan educational organization.
Sponsorship: Visit the Witches' Voice Sponsor Page for info on how you
can help support this Community Resource. Donations ARE Tax Deductible.
The Witches' Voice carries a 501(c)(3) certificate and a Federal Tax ID.
Mail Us: The Witches' Voice Inc., P.O. Box 341018, Tampa, Florida 33694-1018 U.S.A.
of The World
NOTE: The essay on this page contains the writings and opinions of the listed author(s) and is not necessarily shared or endorsed by the Witches' Voice inc.
The Witches' Voice does not verify or attest to the historical accuracy contained in the content of this essay.
All WitchVox essays contain a valid email address, feel free to send your comments, thoughts or concerns directly to the listed author(s).