Articles/Essays From Pagans
August 17th. 2014 ...
To Know, to Will, to Dare...
On Grief: Beacons of Light in the Shadows
August 10th. 2014 ...
As a Pagan, How Do I Represent My Path?
The Power of the Gorgon
August 3rd. 2014 ...
Are You a Natural Witch?
You Have to Believe We Are Magic...
July 27th. 2014 ...
Did I Just Draw Down the Moon?
Astrological Ages and the Great Astrological End-Time Cycle
The New Jersey Finishing School for Would-Be Glamour Girls and Boys
July 20th. 2014 ...
Being an Underage Wiccan
Greed, Power, Witches, and the Inquisition
Malleus Maleficarum - The Hammer of the Witches
Thoughts on Ghost Hunting
July 13th. 2014 ...
A World Of Witchcraft: Belief Is Only The Beginning...
From Christian to Pagan (Part III)
My Wiccan Ways...
July 6th. 2014 ...
Keys: Opening the Portals into Other Worlds
The Lore of the Door
Leaves of Love
June 29th. 2014 ...
What Does the Bible Say About Witches and Pagans?
Are You My Familiar ?
Invocations of the God and Goddess
Results Magic and the Moral Compass
Everything's Alright, Yes: Mary Magdalene
June 22nd. 2014 ...
Witchcraft vs. Religion
Christianity and Paganism: Why All Of the Fighting?
June 15th. 2014 ...
Becoming Your Own Wise One
Canine Familiars: Role of the Alpha
June 8th. 2014 ...
Moral Relativism and Wicca
Paganism in Cebu, Philippines
June 1st. 2014 ...
Rediscovering My Pagan Faith
13 Keys: The Wisdom of Chokmah
May 25th. 2014 ...
Some Differences Between Priestesses and Witches: Duties and Trials
Awakening to our Celestial Nature (A Free 8-Day Course)
How to Work With Your Muse
10 Things I Love about my Sacred Work as a Public Witch
May 18th. 2014 ...
Finding the God (From Christian to Pagan -Part II)
The Medea Within Us All
Visits from the Departed
May 11th. 2014 ...
Breaking the Law of Return
Karma and Sin
Mental and Emotional Balance- I CAN Have it!
The Sin Concept
May 4th. 2014 ...
When to Let Go...When to Hold On
Goddessy: Sorceress Speaks On Beauty
Embracing my Inner Goddess through Belly Dance
April 27th. 2014 ...
Mental Illness in the Pagan Community
World Crisis: Awaken Witches and Take Action
Being Pagan, Being Bipolar
"Earth Day" Is A Pagan Conspiracy!
April 20th. 2014 ...
Six Rules for Safer Pagan Sex: A Guide
Safety: Let's Shift Our Focus
Morality and Controversy in the Craft
A Pagan Perspective on Easter
The Star Child
April 13th. 2014 ...
Magick and Consequences: My Experience with Sigils
Being a Worrisome Witch
Don't Talk Yourself Out of Trying Something New!
What to Do When the Spell/Ritual Flops
April 6th. 2014 ...
The Elements and the Quarters
Dark Moon Scry: Aries 2014
How the Wheel of the Year Works “Down Under”
13 Keys: The Understanding of Binah
March 30th. 2014 ...
Manifesting the Dream: On Religious Organizations, Pagan Abbeys and our Order
True Meaning of Community
Thoughts on Unverified Personal Gnosis
My Beautiful Grove- A Matter Of Perspective
March 23rd. 2014 ...
Spirituality and Social Change
The First Step to Anywhere!
March 16th. 2014 ...
From Christian to Pagan (Part I)
Nature And The Celtic Tree Calendar
The Teeth in the Darkness
March 9th. 2014 ...
Healing the Witch Within
Discovering Wicca as a Young Child
NOTE: For a complete list of articles related to this chapter... Visit the Main Index FOR this section.
The Color of Magic
Article ID: 11996
Age Group: Adult
Days Up: 2,462
Times Read: 3,131
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Author: Blaze Phoenix
Posted: November 25th. 2007
Times Viewed: 3,131
We as Witches spend a long time in concentration over sorting out the meaning of what we experience magically. For example, we quibble over the significance of various energy colors in various circumstances, some coming to the conclusion that each individual’s experience will (forgive the pun) color his understanding. Others will spend hours ad nauseum talking the fine points in shades of red for determining the type of passion represented thereby.
Let’s say three different energy workers look at the same participant. One may see the color blue highlighting the participant’s aura, while another may hear the sound of harp music, and a third taste hot chocolate on his tongue. They all interpret from the experience the understanding that the participant was relaxed, though the first observer chose the word “calm”, the second “peaceful”, and the third “comfortable”. There is then therefore no reason to reject the more simple idea of individual bias affecting possible palette.
The deeper truth, however, is that none of these things happened.
The experiences of sensation perceived were synesthetic in nature; that is to say, in order to communicate with the world of Ruach, the truth had to change languages in order to speak with the natives (who, it turned out, had no capacity for understanding what a city was, so Truth had to suffice for “many villages put together”) and in doing so, had to use the closest symbols it could find to get the point across.
“Magic is the art of creating change in accordance with will.”
It has become the quintessential definition given to the roughest acolyte to memorize, thanks to Mr. Crowley, and few would question its elegance and inclusiveness.
If this is so, I ask you, what is this mysterious “other color” we see when we look at a spell being formed? What do we feel at the edge of a circle when we push on empty air, yet find resistance? If not a physical phenomenon in the same sense as gravity (or at least tacheons!) then what else?
At this juncture we must take a side trip into exploring the world of the senses.
From the easiest perspective, our senses have evolved as tools for interacting with the natural world in which we live. To show this, one may quote the cases of the strange little sea creatures living in a cave isolated from the rest of their kind through geological accident.
These little critters had become much paler in comparison to their cousins outside the cave, as they had no further need of pigmentation to protect them from the sun.
More importantly, however, they had lost their eyes.
A costly piece of biological equipment, the eye. It must be formed to very exacting specs to function normally. If must be carefully protected, to make the continued use of the faculty even possible.
It requires saline be produced to keep it moist and flush it out. They wear out easily. They have no warranty. And currently, they can’t be replaced. They are a wonder of nature on the order of the Pyramid of Giza to Egypt. The eye does one thing and one thing only: it collects photon bounce-back.
Whether you’ve seen a dog or an elephant is no concern to it. As a kindly, useful clerk in a factory, it collects the pieces, drops them in a box, and hands the package off higher up on the line. It is the brain that constructs sight. It organizes your visual information packets into sensible chains.
Similarly, this holds true for the other four senses as well. The human psyche functions on a baseline of patterns, and so your personal symbol set is the means of interpretation.
You have not seen the color of magic, you have only experienced magic in a certain fashion, and your personal symbol set has been used as an interpreter of the experience. The mind is the true seat of the senses rather than the physical data collectors.
It is a well-known fact that depriving someone of the use of one of his faculties will cause the others to become more acute in compensation. This is true of those who never had or have physically lost a sense. It is also true that the state may be artificially invoked through the use of deprivation techniques, such as blindfolding, stopping the ears, and the like.
If there is another sense or set of senses beyond the commonly accepted five “physical” senses (that is, those of which we can point to the data-collection point on our bodies) it stands to reason that they should become more acute with the diffusion or distraction of the physical senses.
Here, I recommend an exercise. Find a quiet place and get in a comfortable position for meditation, such as lotus, dead man, star, etc. Breathe into a good rhythm, and then begin relinquishing attention to the physical senses one by one. This may not at first be an easy task, and requires some patience.
Once you have reached a point of complete sense isolation, reach out for understanding without reaching for the tools you have become so dependent upon.
The perceptions you experience in such a state come from your “other” senses.
To come back out of the state, simply re-acknowledge each of your five senses, while attempting to acquaint your physical senses with your non-physical senses. After some practice with this technique, you may wish to issue all your senses permission to collaborate with the others, giving you a greater palette for understanding in general.
This is the essential point of most methods of reaching an altered state of consciousness. The mystic will either force his senses to a point of exhaustion, focus them all in a single direction so as to limit the usual “white noise” affect, or divest himself of their acknowledgement altogether.
Altered states of consciousness are no more and no less than a choice to focus on the other senses that are always functioning, but seldom acknowledged. If we as Witches want to walk between the worlds, it is better we do so with open eyes.
The honing of these other senses in no way changes the simple fact that our language contains no adequate words for the things experienced. Until enough common experience has been built for us to agree upon a method of communication regarding them, we will still have to describe the magical experience in terms of senses we can substitute as approximates.
There is nothing inherently wrong with this fact, but we should endeavor to remember that there is no guarantee that what you are experiencing when you say, for example, the color mauve is the same thing that I am perceiving even in the mundane sense.
How much more so the “other” senses that must pass through so many layers of abstraction! When we communicate our magical experience, regardless of how pretty the words we use, we are singing poetry to one another.
It is good to remember that, and to try to understand the communication in the same fashion one would approach the works of Rumi.
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