Articles/Essays From Pagans
February 1st. 2019 ...
Paganism and Witchcraft in the Media
September 25th. 2018 ...
Understanding the Unseen
August 25th. 2018 ...
A Little Magickal History
Men and the Goddess
Back to Basics Witchcraft: Magical Creativity for Small Living Spaces
Kitchen Magic and Memories
Why the Faeries?
Magic in Daily Life
An Open Fire: Healing from Within
Cernunnos: The Darkest Wood in the Moon's Light
On Preconceived Pagan/Wiccan Political Affiliations
Gudrun of the Victory Gods
Ares and Athena
La Santa Muerte... The Stigma and the Strength
The Wheel of the Year in Our Daily Lives
The Lady on the Stairs
July 26th. 2018 ...
The Importance of Unification: Bringing Together Community Members to Invoke Cohesivity
May 29th. 2018 ...
Wild Mountain Woman: Landscape Goddess
April 20th. 2018 ...
Nazis Made Us Change Our Name
January 25th. 2018 ...
Finding Balance: Discipline Wedded to Devotion
November 15th. 2017 ...
September 30th. 2017 ...
July 31st. 2017 ...
Sin Eaters and Dream Walkers
July 2nd. 2017 ...
On Cursing: Politics and Ethos
June 1st. 2017 ...
The Sacred Ego in Mediterranean Magical Traditions
April 30th. 2017 ...
Tarot Talk: the Knight of Pentacles
March 30th. 2017 ...
Tarot Talk: the Ace of Swords
January 10th. 2017 ...
The Gray of 'Tween
Becoming a Sacred Dancer
Little Dog, Big Love
December 9th. 2016 ...
A Child's First Yule
November 10th. 2016 ...
What Exactly Is Witchcraft?
A Witch in the Bible Belt: Questions are Opportunities
What I Get from Cooking (And How itís Part of My Path)
On Death and Passing: Compassion Burnout in Healers and Shamans
September 11th. 2016 ...
The Shadow of Disgust
August 12th. 2016 ...
When Reality Rattles your Idea of the Perfect Witch
Hungarian Belief in Fairies
Designing a Pagan Last Will and Testament
July 13th. 2016 ...
What Every Pagan Should Know About Curses
Magic With A Flick of my Finger
An Open Mind and Heart
Finding and Caring for Your Frame Drum
June 13th. 2016 ...
Living a Magickal Life with Fibromyalgia
My Father, My First God
Life is Awesome... and the Flu
May 15th. 2016 ...
Faery Guided Journey
Working with the Elements
April 2nd. 2016 ...
The Fear of Witchcraft
Magic in Sentences
March 28th. 2016 ...
Revisiting The Spiral
January 22nd. 2016 ...
Coming Out of the Broom Closet
December 20th. 2015 ...
Magia y Wicca
October 24th. 2015 ...
Feeling the Pulse of Autumn
October 16th. 2015 ...
Sacred Lands, Sacred Hearts
September 30th. 2015 ...
September 16th. 2015 ...
Vegan or Vegetarian? The Ethical Debate
August 6th. 2015 ...
Lost - A Pagan Parent's Tale
July 9th. 2015 ...
Love Spells: The Good, The Bad, and the Ugly
The Magic of Weather
June 7th. 2015 ...
A Pagan Altar
A Minority of a Minority of a Minority
May 6th. 2015 ...
13 Keys: The Crown of Kether
March 29th. 2015 ...
A Thread in the Tapestry of Witchcraft
March 28th. 2015 ...
On Wiccan Magick, Theurgy, Thaumaturgy and Setting Expectations
March 1st. 2015 ...
Choosing to Write a Shadow Book
February 1st. 2015 ...
Seeker Advice From a Coven Leader
January 1st. 2015 ...
Manipulation of the Concept of Witchcraft
Broomstick to the Emerald City
October 20th. 2014 ...
Thoughts on Conjuring Spirits
October 5th. 2014 ...
The History of the Sacred Circle
September 28th. 2014 ...
Seeking Pagan Lands for Pagan Burials
Creating a Healing Temple
August 31st. 2014 ...
Coven vs. Solitary
August 24th. 2014 ...
The Pagan Cleric
A Gathering of Sorcerers (A Strange Tale)
August 17th. 2014 ...
To Know, to Will, to Dare...
NOTE: For a complete list of articles related to this chapter... Visit the Main Index FOR this section.
Finding and Caring for Your Frame Drum
Article ID: 15948
Age Group: Adult
Days Up: 1,072
Times Read: 2,921
RSS Views: 7,636
Author: EmbodyHealing, LLC
Posted: July 13th. 2016
Times Viewed: 2,921
We work with drums often in my classes, whether that be using them for musical reasons, trance work, journeying, healing, or group rituals and certain ceremonies. Often people will find one of the drums they work with really calls to them and works with them. Others will go out and seek their first frame drum. People often wonder how to choose a frame drum, where to look for one, and how to take care of one. This article is to help you with these questions.
Seeking Your First Drum
Generally, the best drum-person relationships are the ones where the drum either chose you or a person was directed and made a drum for you. What I mean by that last half is when a person has a dream or vision and is instructed to make a drum for you, makes it, and has it ready when they finally meet you. Itís pretty obvious when one of these two things happens that the drum is meant for you.
An increasing number of people do not get their drums this way, but are hitting up the market for their first drum, even purchasing first drums online. What about those folks? First, if you have the opportunity, go to a market and talk to some folks who make drums. Play a few. It is almost always better to be able to play a drum before you buy it, to smell it, to hold it in your hands and know if youíre a good match, to ask it personally if it would work with you and invite it to speak. Often, when youíre holding the right drum, youíll know it. If this is not possible and youíre looking online, here are some things to consider:
1. Size: How big of a frame drum do you want and how do you know? Larger drums are a bit harder to transport, and if you might be using this around a fire or in a client room, it is a bit more cumbersome to work with. However, bigger frame drums are more impressive if youíre trying to be a show off. I generally see people do well with a first drum of about 15Ē-18Ē. These are easy to carry and hold, not too heavy, not impossible to transport. If you travel often and plan to take your drum with you, youíll want to put it under the seat in front of you rather than in the cargo hold where it might be hit by a suitcase. I have fit frame drums up to 17Ē under seats, but they have to be squeezed. If youíre planning to travel, I really encourage you not to go above 15Ē for the care and comfort of the drum. Think about what youíre going to use the drum for. Thatís how youíll know what size you want. Knowing the size you are willing to look at will narrow down your search on the net significantly.
2. Cost: I will encourage you to get a drum that is good medicine for you with the next few tips, but if youíve never played a drum before and donít know if youíll stick with it, you might not want to put $160-$200+ into your first drum. You can find smaller drums for less cost, or you can go with a frame drum thatís standard made. Mid-East, a standard instrument company with usually mid-grade instruments, carries a ďframe drumĒ that is closer to a daf (a flat Sufi drum that resembles a large tambourine that often has metal rings attached to the side for their sound) with a leather cross in the back for a handle. Itís sort of like a cross between a low-grade Sami drame drum and a daf. These actually make pretty good singing drums, and theyíre one of the drums my students buy most. Though theyíre not the best medicine drums, they are pretty good beginner drums that respond to a beater, your hand, or your voice well. I have even used these as makeshift microphones when I had to address a large number of people and needed to amplify my voice.
3. Culture: If youíre seeking a medicine drum, you probably have your own mythology or a particular way of approaching medicine work. Most cultures have frame drums, but how they make them can be dramatically different. It is standard for a medicine drum to have either that cultureís variant of the world tree or their version of the medicine wheel on the back of the drum. I have also seen traditionally made drums which had the feminine aspects of the cosmos made into the ropes on the back, which was pretty beautiful (these resemble spirals or spider webs, or sometimes the flower of life) . Also consider your ancestry. Though there are three lineages a person inherits (in my mythos) , one of the things you can count on is the blood in you, even if you werenít raised with your blood family. If you have a particular bloodline youíre close you or are drawn to, you will probably have a faster developing relationship with a drum that speaks the same language.
4. Wood (frame) : The plant matter in your drum will consist of the frame, unless itís a ceramic frame, and possibly rope, though most drums use leather for the cord. If your drum uses a synthetic cord, this is a touch of man and modern world, and you should sit with what spirit you are looking for in a drum to make sure thatís what you want. In the case of the plant material used in a drum, sit with what youíre going to use the drum for. If it is for purification purposes, Cedar is traditional in most cultures. If you are using it for personal use and plan to have many uses with it, think about what plants are close to you (specifically which trees) . If you donít have an affinity with plants, browse around; see what drums are calling you, and then take a look at what qualities the plants bring with them. Plant spirits are incredible allies, and even if you release that spirit before you use the drum, you will still have a physical piece of the plant to call it back if you decide to. Ceramic and clay frames carry the specific earth energy from where the materials came from, and this can be a good way to connect to a certain place that is sacred for you. However, ceramic drum frames can be broken, so if you need a more durable drum youíll want something made of wood.
5. Skin (head) : Your drum may also use leather for cords, and this is another instance where you will want to consider the medicine of the components of the drum. These considerations are much the same as considering the plant material in the drum. What energy are you hoping to bring through the drum, and what relationships do you have with the different spirits that drums are made from?
6. The Drum Maker: This is almost a side note to the other point. Almost. The fact is that your drum maker puts his blood sweat and tears into what she makes, and their energy is in it. Whatever this person is thinking, saying or feeling can affect the drum. I have met drums with so much rage in them I couldnít play them. I have also met drums with so much compassion in them that theyíve brought me to tears in moments. One of my frame drums was made in a sacred cave thatís been used for tribal medicine practices since the ice age by someone who inherited the tradition. The drum maker also did a ceremony for the drum and painted one of the symbols they use in his tradition onto the drum (which also appears in the ancient markings of the cave walls) with pigment made from minerals in the cave. It has a very different feel from my Sami, Peruvian, Pakistani, Gaelic and Mid-East company drums. The drums remember who they are, and that memory changes the experience of working with it.
7. Decoration: Some drums come painted. Again, youíll want to consider not just how the drums looks, but also what the soul of the drum is like and the spirit of the drum. Donít just pick a picture on a drum because itís pretty and will look nice hanging up unless you intend to use the drum the same way you use any other art or furniture piece. Treat the drum like a living being, and it will show you its secrets. Markings on a drum are much like the tattoos on a personís body, and they are that personal. For those of us who decorate or paint our drums, it is also important to talk to the drum and get itís permission to do this before simply slapping pretty things on it. If you are planning to paint a drum, I suggest leather stain or leather paint, or henna depending on the look youíre going for. Some folks seal art on drums using paste wax or shea butter to protect the design.
That should cover most of your Ďhow to pick a drumí questions. Another thing thatís often asked is where to purchase oneís first drum. I mentioned Mid-East company, but there are also other music shops available. Places like Amazon and Ebay also carry drums. Iím pretty insanely picky about this, so I usually find drum makers practicing a medicine tradition or who have made instruments for a long time (though I also like to carry a few of the singing frame drums I mentioned) . You can find people like this on Etsy and other handmade marketplaces, but make sure you take the time to talk to them, read things theyíve written, and see how they actually are with the drums. Of course, you can also always travel to places where indigenous cultures still exist, including tribal places in the USA to find a drum made in a good way. You can also sometimes find good instruments at pow-wows or music festivals.
Caring for the Drum
Caring for a medicine tool is not like caring for a regular instrument. This drum becomes your partner in work and in spirit, and you should treat it like a partner. There are some things you should know about this relationship, some of which applies to regular drums, others apply to medicine tools.
1. Temperature: Drums are affected by heat, cold, and dampness. Heat ages your drum. Some people tune drums by putting them over fires (which tightens the skin and thus raises the pitch) . Though this works, it does also shorten the lifespan of the drum in the long run. Most drums can handle gentle heat if they become too damp (which both lowers the tone and often makes the drum a bit sad) , but you should not store your drum in a hot place such as over a stove, and you should not leave it in a hot car for a long time in direct sunlight (be sure to cover the head if it will be in direct sunlight during travel) .
2. Ritual: There are two ways most medicine people treat drums. They either do a ceremony to release the spirits of the various materials it was made of, followed by a second ritual to call the spirit of the drum into the drum or they ask the spirits of the materials for permission to play them each time they are played. You should consider which way you will treat the drum, and stick to it.
3. Bonding: Regardless of which method you use, always treat your drum with respect as the living thing it is, and you will have a much better time with it. Always ask for permission to play it or take it somewhere, listen when it says it doesnít want to or tells you no. Thatís respect. Talk to the drum. Touch it. The oil from your hands is one of the best things for the drum, and that touch will allow your care to flow into the drum and affect it in a positive way.
4. Feeding: The most powerful medicine drums I have come across are fed. The idea of feeding a drum is that the energy of the food goes into the drum and makes it more powerful. This also gives the drum attention. Traditional offerings, depending on the culture, often include things like butter, milk, or ground grains. I have had drums ask for oil or butter smeared on the head, which confused me at first but improved the tone and condition of the head once I complied (if you do this too often, however, it will cause a suede like effect and dull the tone of the drum, though in the instances Iím speaking of that was exactly what was needed) . I also feed my drums cornmeal by swirling it around in the head of the drum while I sing to it. Because I see energy, when the light goes out of the cornmeal and into the drum, I know itís been fed. At that point I usually toss the meal into the grass, though thereís really no reason you canít use it, but the vital energy in the meal is now in the drum. These are some ways to help your drum become very powerful and increase the bond you have with it.
Thatís all for now. If this is your first drum, spend time with it. Remember that you already know how to play and it already knows how to sing. Just spend some time and allow that process. I wish you many happy years together. Love to you!
Web Site Content (including: text - graphics - html - look & feel)
Copyright 1997-2019 The Witches' Voice Inc. All rights reserved
Note: Authors & Artists retain the copyright for their work(s) on this website.
Unauthorized reproduction without prior permission is a violation of copyright laws.
Website structure, evolution and php coding by Fritz Jung on a Macintosh.
Any and all personal political opinions expressed in the public listing sections
(including, but not restricted to, personals, events, groups, shops, Wren‚Äôs Nest, etc.)
are solely those of the author(s) and do not reflect the opinion of The Witches‚Äô Voice, Inc.
TWV is a nonprofit, nonpartisan educational organization.
The Witches' Voice carries a 501(c)(3) certificate and a Federal Tax ID.
Mail Us: The Witches' Voice Inc., P.O. Box 341018, Tampa, Florida 33694-1018 U.S.A.
of The World
NOTE: The essay on this page contains the writings and opinions of the listed author(s) and is not necessarily shared or endorsed by the Witches' Voice inc.
The Witches' Voice does not verify or attest to the historical accuracy contained in the content of this essay.
All WitchVox essays contain a valid email address, feel free to send your comments, thoughts or concerns directly to the listed author(s).