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The Athame and the Shovel

Author:
Posted: August 12th. 2001
Times Viewed: 3,826
Sacred space. It's what the Christians felt they were creating when they built Chartres or Winchester, or what they feel when they dedicate a churchyard, the 'hallowed ground' of tradition. It's what neo-Pagans feel they've called into being when they draw the sacred circle. It's what most of us, probably, feel we have in our homes, and what we feel is violated if someone breaks in.
It's a useful concept; to some extent it defines our experience of safety, comfort, and connection. It's what Scott Russell Sanders and Wendell Berry feel is largely missing in contemporary American culture, what they feel we need if we're to treat our local and global environments as eternal rather than disposable: a sense of place. As theories of 'what's wrong with us' go, that one's not hard to agree with.
But it's an odd concept too, because it's predicated on the existence of space that's not sacred: profane space. Profane space seems to be that which hasn't been sanctified by human presence, or human intent. The idea of sacred space implies--even in neo-Pagan circles--that human presence and intent are the elements which makesacred space. And while one might expect such a belief in a religion which has a history of cutting down other people's sacred groves, it's an odd thing for nature worshippers to buy into. When we draw our circles, are we really suggesting that the ground wasn't sacred before?
Before we can answer that, it seems fair to acknowledge that such a belief might exist in neo-Pagan circles because it's a cultural habit for many of us. European-American culture has a long history of distinguishing between what is sacred and what must be conquered. To the early European adventurers, all of the 'new world' was profane space; its size and wildness were tremendously exciting (Columbus, John Smith, and many others raved about its beauty and abundance, and not entirely for advertising purposes) but that size and wildness held at least equal potential for terror. 'It' could destroy 'us', the adventurers found; 'we' could be lost in 'it', our identities disrupted, our selfhood and our control destroyed. As Nina Baym discussed in the critical study The Lay of the Land, the patriarchal metaphors about the land as woman -- either a 'virgin', good, and untouched, a helpful (read objectified and tame) 'mother' of abundance, or a 'bad' woman who had been spoiled by too many men -- reflect the fear of place and the sense that place must be defined. That metaphor also reflects the much older belief that place which is not dedicated to the dominant paradigm must be either controlled or destroyed.
As neo-Pagans, we would prefer to think that we don't do that.
And certainly it's not as 'necessary' to worry about scary spaces as it must once have seemed. If the landscape, as Louis Gross argued in his book on Gothic fiction, was the locus of terror in much American fiction, the landscape has become less threatening in this century. Many indigenous cultural groups, of course, manage both to deal with the potential for destruction and to consider every rock sacred, but not many neo-Pagans are so competent in dealing with the phsyical exigencies of landscape. Speaking for myself, I lack the skills to kill for food, to navigate in the wilderness, or to build a fire without matches; if I were lost fifteen miles inside a national park, I might easily start to feel 'all the forces of nature arrayed against me', as Shackleton said. For most of us, it's easier to find landscape sacred when it's not threatening us. And for Pagans who live in suburbia and who don't live in hurricane alley, it's rare to feel very threatened by it.
Another factor in our increasing ease with the landscape is the fact that it gives the appearance (largely spurious, as global warming demonstrates) of being 'tamed.' A European-American habit of history is to destroy things and then to elegize them, like the memorial to the last passenger pigeon. Once those troublesome birds were gone, we could regret their disappearance. The genre of modern nature writing seems in large part a response to our recognition that nature as we knew it is changing. It's easier to feel that the landscape is sacred when we're afraid we might lose it.
Whether it is these factors or others which make contemporary neo-Pagan identification with place today possible, though, the fact remains that we tend to view ourselves as having a spiritual connection with the earth. We tend, broadly speaking, to say that the world in all of its elements is inherently sacred. This being so, what is the function of drawing a circle and declaring 'sacred space'? Isn't it already sacred? 'Always already' sacred, as they say in academic circles?
This is the point at which my theories become increasingly fuzzy, because I'm just not sure whether our custom of sacred space declaration reflects the attitude of dominant culture without meaning to, or whether it's actually a way of connecting ourselves to a sacred we acknowledge as already present.
Leaving out the ritual function of the circle in focusing our attentions and energies, I'm not really sure whether it's consistent with our (various) philosophies to 'create' sacred space. It's true that we say, in opening the circle, that it remains unbroken, that sacredness does not depart with our words -- which does suggest that sacredness isn't ours to bestow. It's true, too, that I do feel some space to be 'sacreder' than other space, particularly space in which people have done the same (loving and undamaging) things together over and over: magic or prayer or composting. A garden which has been worked and turned and organically fed and had its crops rotated seems more sacred to me than a patch of neglected crabgrass, though not, probably, more sacred than a patch of ground in an old-growth forest which has never been cultivated within written record.
In pondering what aesthetic gives rise to these rather arbitrary distinctions, I'm arriving at a different sense of the act of 'creating' sacred space: it's not so much creating, or claiming, as it is reclaiming. Perhaps it's fair -- and not too inconsistent -- to say that all space is already sacred in any of its natural states, which are generally states of great richness and diversity; a square foot of tidal sand, or forest floor, fairly teems with the life and death which are, surely, the only real designation of the sacred. The patch of crabgrass, or of strip-mall concrete, has had its sacredness diminished by (you guessed it) human presence, and human intention. When we disregard space -- and there is no more prevalent way to disregard it than to make it biologically (and therefore spiritually) more poor than it might have been -- we create profane space. Maybe when we claim a space as sacred, we are really declaring it sacred again or sacred now; maybe it is these prior acts of disregard which we attempt to undo with our presence, and our intent.
This possibility, which is certainly open to debate, is satisfying to me, when I try to understand why we who worship the world still use ritual which implies that sacredness is ours to declare or to withhold. It gives me a reason to declare sacred space in my circles, and to feel its presence elsewhere.
But such an option also raises larger issues about how sacred space is best created. It suggests that if I really want to create some sacred space, maybe I should plant a few trees (native species for choice), cut out the honeysuckle or English ivy that's strangling what's there, put a few earthworms into the soil, or do a little composting. If I have a yard full of crabgrass -- lawns are notoriously impoverished in terms of ecological diversity, and they're certainly one of the stranger results of human intention -- maybe I ought to be letting it grow up, or planting it with something which will attract more diverse life. Maybe I ought to plant and design to attract native birds and insects; and maybe sweat and thought can sanctify space at least as effectively as the words of the ritual. If it's a question of sacred space in the house, maybe my blessings should be accompanied by opening the windows, eschewing air conditioning and toxic cleansers whenever possible, and doing a little housecleaning -- of the kind that doesn't disturb the spiders.
In short, I'm wondering now if the definition of sacred space mightn't have as much to do with the shovel as with the athame.
Cat
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